There’s no need to introduce Jane Yolen, writer of children’s and young adult books whose name was pretty much all over my childhood book shelves. She is most famous for writing folklore and fantasy, reinventing classic tales and often paired with illustrators whose work will look immediately familiar to any child of the 90’s. This latest collection is certainly composed of typical Yolen material, but, after reading “A Knot of Toads,” a story featuring a long dormant evil forces brought to life in a small Scottish town, I realized that The Emerald Circus is not for kids at all. (By which I mean kids who don’t have nightlights. Because I definitely needed one.)
The stories are hit-or-miss. Some follow a pattern that, for Yolen, is almost formulaic by now, taking a classic tale and subverting its original intent with adult themes or feminist reprisals. The story “Lost Girls,” about Wendy arriving in Neverland and then trying to unionize a collection of “lost girls” is a great example of this.
There is a strange quiet to the stories in this collection. They wade through an environmentally devastated dystopian future and give off whispered warnings rather than roaring doom. They are uncomfortable, uneasy, but in a way that emulates the fairy tale, chock full of timeless mythic secrets, shrouded in mystery.
Rebecca Solnit’s prolific and varied career as a woman of letters is remarkable in its scope. Though I believe she is most often thought of as an essayist, she is in fact many different people, depending on who you ask. To feminists and women in general she is the brilliant champion who introduced the concept of mansplaining in her Men Explain Things to Me. To art historians she is the author of As Eve Said to the Serpent, a meditation on harsh landscapes and the feminine sublime. Sociologists read her reflections on disaster areas, most particularly Hurricane Katrina, in her Hope in the Dark and A Paradise Built in Hell.