Focusing on foreign aid (before and after the earthquake), the slave trade and colonialism, and vodou in Haiti, this documentary provides a far-reaching scope of a complex society. If there is one flaw the film suffered from it was the ambitious attempt to cover everything. How can you not try to cover everything when you’re talking about a place that has a history of being so egregiously misunderstood? That misunderstanding was also a focal point of the film, and it seemed as though an appropriate subtitle would have been, “Everything you don’t know about Haiti and by the way we have a lot more than earthquake damage and vodou here but, indeed, we do have a lot of those things as well” or something like this. It was very much a film that knew its audience.
One particularly well done aspect of the film was the wide range of interviews conducted. From vodou priests/priestesses, to Haitian sociologues/economistes, to young kids living in the bad part of town, to the jaded American aid workers (including Sean Penn?), to the cynical but wise (drunken?) fonctionnaire (that guy is everywhere, what is it with that guy?), to historian Laurent Dubois (‘heck yes!’ for those of you who work on Caribbean history). And this is one of the things that they are all both demonstrating and saying, which is (to paraphrase) : “There are an infinite number of viewpoints in/on Haiti – some of them better than others.” And they create a fully-formed, comprehensible picture of current Haiti and how it got there.