Random House 2015
I was not expecting to love this novel.
I’m not totally sure why I picked it up in the first place, except that someone from my Book Riot crew had mentioned it was pretty good and that the main character is unlikeable.
Me, I don’t mind unlikeable women characters. Usually the reason that women characters are unlikeable is that a) they are not what we think they should be, or b) they are not what men think they should be. I always give myself permission to drop a book that has a truly unlikeable character at its center (spending too much time with someone you don’t like is a sure way to incur psychological damage) but I will usually pick them up because, often enough, an unlikeable woman is a very interesting woman. In fiction. As in life.
In some reviews, this debut novel by poet Jill Alexander Essbaum is cited as part of the new breed of housewife/mommy books, including recent works like After Birth, Eleven Hours, American Housewife, and Little Labors. But, of course, while there seems to be a surge of women writing about what it’s like to have too many brains and too little time to use them (spoiler alert: it’s like a bottomless jello cup of melancholia), this theme has a long and very rich history.
Boredom is not an invention of the 21st century middle class. Like one of those viruses that have existed since the days of rats hopping hopeful ships to the New World, we seem to immunize it into submission until one day it rears up again. Probably the boredom most famous to our generation is 19th century ennui, that abiding existential syndrome of being a European male. But the boredom of women in the home is something different. Dark and passionate.